The fourteen nadis
A nadi is a channel that carries prana. The texts count them in the hundreds of thousands and then name fourteen that matter, of which three do nearly all the work. The rest reach the eyes, ears, tongue, mouth and lower body, and the lists that name them do not entirely agree.
- 14
- named channels
- 3
- do the real work
- 72,000
- in the usual count
The channels
Three principal nadis and the eleven the classical lists add to them.
The three principal channels
Everything else in the system is described relative to these.
Sushumna
The central channel, running the length of the spinal axis from the base to the aperture at the crown. Normally closed, and opening it is the point of most hatha practice.
Ida
The left channel, cool and lunar, ending at the left nostril. Associated with the parasympathetic side of things long before anyone used that word.
Pingala
The right channel, hot and solar, ending at the right nostril. Active during effort, digestion and daylight work.
The eleven others
Named in the Shiva Samhita and its relatives, with variations between sources.
Gandhari
Runs beside ida and ends at the left eye. Named for the queen of the Mahabharata who bound her own eyes.
Hastijihva
The elephant's tongue, running beside the central channel and ending at the right eye in most lists, at the left big toe in others.
Pusha
The nourisher. Ends at the right ear in the common list, at the right eye in several others.
Payasvini
Named for milk, running near pusha on the right side and ending at or behind the right ear.
Yashasvini
The glorious one, ending at the left ear in most lists and at the left big toe in the Shiva Samhita's own wording.
Shankhini
The conch-shelled channel, running down the left side and ending at the anus. Some sources place it at the left ear instead.
Alambusha
Ends at the mouth. In the sources that treat it as a downward channel it ends at the anus, which is the widest disagreement in the list.
Kuhu
Named for the new moon, running down the front of the central channel and ending at the genitals.
Saraswati
Runs alongside sushumna and ends at the tongue. Associated with speech, which is what the goddess of the same name governs.
Varuni
Named for Varuna, the god of waters. Spreads through the lower abdomen and is associated with elimination.
Vishvodhara
The all-bearing channel, spread around the navel, associated with the distribution of what the body takes in.
What a nadi is
Nadi comes from a root meaning to flow, and the word is used in Sanskrit for rivers, tubes and pulses as well as for these channels. In the subtle-body literature a nadi carries prana the way a vessel carries blood, and the chakras are placed where the important ones cross.
The counts are large and vary. The Shiva Samhita says 350,000. The Goraksha Shataka and much later teaching say 72,000. Both then narrow to fourteen worth naming, and of those fourteen, three carry the entire practical tradition.
The three that matter
Sushumna runs up the spinal axis, from the base of the spine to the aperture at the crown. It is described as normally closed. Nearly everything in hatha yoga, the locks, the breath retentions, the postures, is aimed at opening it.
Ida and pingala wind around it, crossing at each centre and ending at the left and right nostrils. Ida is lunar, cooling and receptive. Pingala is solar, heating and active. Their alternation is not only metaphor: nasal airflow does shift from side to side through the day in most people, and the tradition built a breathing practice on that observation long before it had a name in physiology.
When the two are balanced, sushumna is said to open. That is the whole logic behind nadi shodhana, alternate-nostril breathing, the most widely taught pranayama there is.
Why the eleven disagree
The remaining eleven are listed in the Shiva Samhita, the Gheranda Samhita and their commentaries, and the lists do not match. Alambusha ends at the mouth in one source and the anus in another. Yashasvini reaches the left ear here and the left big toe there. Pusha and payasvini swap the right ear between them depending on the manuscript.
We give the most commonly cited termination for each and note the main variant on its page. The disagreement is not a flaw in the sources so much as evidence of what they were for: these are practice notes from several lineages, collected, and nobody was auditing them for consistency.
One list, two logics
Read the eleven again and a pattern surfaces. One group is organised by sense organ: gandhari and hastijihva to the eyes, pusha and payasvini to the right ear, shankhini or yashasvini to the left, saraswati to the tongue. Another is organised by function below the navel: kuhu to the genitals, varuni through the fluids, vishvodhara around the navel, alambusha somewhere between the mouth and the other end of the same tube.
The sense-organ tables are tidier, which usually means later. Whichever grouping a source follows, the job of the eleven is the same: to carry prana out from the central column to the places where a body meets the world.
The three knots
Sushumna is not simply open once the two side channels balance. The texts place three granthis, knots, along it: brahma granthi at the root, vishnu granthi at the heart, rudra granthi at the brow. Each is described as a point where practice stalls, and each is glossed psychologically as an attachment: to security, to one's own effectiveness, and finally to insight itself.
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