The charms
Twenty emblems that have been cut, cast, blown, stitched and printed onto objects people carry. Each one is read for where it actually comes from, how it is made and worn, what its owners have wanted from it, and which claims about it are documented rather than repeated.
- 20
- charms
- 4
- families
- 52
- languages
Against the eye
The largest amuletic tradition on earth, answering the belief that a look can do damage. Reflect it, break it with colour, distract it, or absorb it into something that then breaks.
Nazar
A concentric blue glass eye, made by the same hot-glass technique for three thousand years. It is meant to catch the gaze that was aimed at you, and it is meant to crack when it does.
Hamsa
An open right hand, usually symmetrical, often with an eye in the palm. Older than both of the names it now carries, and one of the few charms used across Jewish, Muslim and Christian households in the same street.
Eye of Horus
A falcon's eye with the markings drawn in: the eye torn out in the fight with Set and made whole again. Egypt's commonest amulet, and the ancestor of a great deal of later Mediterranean eye lore.
Cornicello
A twisted red horn worn at the neck or hung from a mirror. Coral originally, plastic now, and descended from the Roman habit of meeting a hostile gaze with something the eye cannot politely dwell on.
The red thread
A red string tied at the wrist, the cradle or the animal's neck. Independently attested from Scotland to China, which makes it the clearest case in the library of the same idea arriving twice.
Signs, seals and words of power
Charms whose authority comes from a figure that can be drawn correctly or a text that can be copied exactly. These are the ones that need a literate tradition behind them.
Pentagram
Five lines drawn without lifting the pen, so the figure closes on itself. Pythagorean token, Mesopotamian sign, medieval German bedpost carving and modern religious emblem, in that order.
Seal of Solomon
Two interlocking triangles, named for the signet ring by which Solomon was said to command demons and jinn. A magical sign for well over a thousand years before Prague made it a communal emblem in the fourteenth century.
The Sator square
Five Latin words in a grid that reads the same in four directions. Cut into a column at Pompeii before 79 CE and still being written on paper for fever and fire in nineteenth-century Europe.
Abracadabra
A word written eleven times, losing a letter each line, so the illness is meant to dwindle with it. Prescribed in a third-century medical poem, and the ancestor of every stage magician's catchphrase.
Ankh
The hieroglyph for life, carried by gods in tomb painting and worn as a pendant for four thousand years. What the loop originally depicted is still argued over.
Scarab
A dung beetle rolling the sun into the next morning. Mass-produced as a seal, a gift and a funerary object, and the single most common Egyptian artefact in museum collections.
Northern and household charms
Objects from the Germanic, Icelandic and English-speaking world, most of them guarding a building rather than a body.
Thor's hammer
A short-handled silver hammer worn at the throat, appearing in quantity exactly when Christian crosses arrive in the same graves. One excavated example is inscribed, in runes, this is a hammer.
Vegvisir
Eight staves radiating from a centre, promising that the bearer will not lose the way in bad weather. Attested in an Icelandic manuscript of 1860, not in the Viking age, and the entry is blunt about the difference.
Hex sign
A painted geometric star on a barn end. Pennsylvania Dutch families have argued for a century over whether these were ever protective or always decorative, and the honest answer is that both are true in different valleys.
Witch bottle
A stoneware jug filled with pins, hair and urine, then buried under a hearth or threshold. Over two hundred have been excavated, one of them intact and still corked, which makes it the best archaeologically documented counter-charm in Europe.
Luck, welcome and good sleep
Charms carried towards something rather than against it, and the one in this library that was invented for children.
Horseshoe
Iron, made by a smith, shaped like a crescent and pierced with seven nails. Four separate strands of luck belief in one object, which is probably why the argument about which way up it goes has never ended.
Four-leaf clover
A genetic accident that turns up roughly once in five thousand plants. The charm is not really the leaf; it is the fact that you were paying enough attention to find it.
Maneki-neko
A cat with a raised paw, sitting by a till from Osaka to Lima. Edo-period in origin, ceramic by the million now, and the raised paw is a Japanese come-here gesture rather than a wave.
Budai
A fat, cheerful monk with a cloth sack, based on a tenth-century wanderer and not on the historical Buddha. Rubbing the belly for luck is a shop custom, not a devotional one.
Dreamcatcher
A willow hoop webbed with sinew, hung over a cradleboard. Ojibwe in origin, spread across Native North America in the twentieth century, and mass-produced by outsiders on a scale that many Ojibwe people object to.
Why these twenty
There is no complete list of the world's charms and there never will be; every village has its own. The twenty here were chosen because each one is well enough documented to write about honestly, and because between them they cover the main mechanisms an amulet can use.
Some work by reflection: the nazar and the polished metal disc turn a hostile look back at its owner. Some work by distraction: the cornicello and the Roman fascinum give the eye something coarse to snag on. Some work by substitution: the witch bottle and the scapegoat charm take the harm meant for a person. Some work by naming: the Mesopotamian plaque, the Islamic ta'wiz and the Sator square all invoke an authority in writing. And some work by sympathy, where the object resembles what it is meant to produce, which is where most fertility and prosperity charms sit.
What the entries do and do not claim
Each page separates three things that are usually mixed together. First, what is archaeologically or textually attested, with the earliest secure date the evidence supports. Second, what the living tradition says now, which is often different and is reported as belief rather than as fact. Third, what has been attached to the object commercially in the last century or so, which for several of these charms is most of what you will find online.
The Vegvisir is the clearest example. It is a real Icelandic magical stave from a real manuscript, and it has nothing to do with Vikings. Saying so is not debunking the charm; it is putting it in the century that actually made it.
Provenance and respect
Two of the twenty come from living traditions with strong feelings about outside use. The dreamcatcher is Ojibwe, and the mass market for it is overwhelmingly not. Sak yant and Thai temple amulets carry monastic rules about who may wear what. Where that applies, the entry says so near the top rather than in a footnote, and points to buying from within the community as the straightforward answer.
Frequently asked questions
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