ᛒ

Berkano

birch tree

Growth that starts on ground nothing else will take

Sound
b /b/
Position
18
Group
Týr's ætt
Reconstructed name
*berkanan
Unicode
U+16D2
Element
Earth
Tree
Birch
Timing
Early spring; the beginning of a growth cycle
Yes / No
Upright yes, in a small way at first · Reversed no

Upright

  • growth
  • birth
  • renewal
  • beginnings
  • fertility
  • recovery
  • nurture
  • regeneration

Reversed

  • stunted growth
  • a false start
  • neglect
  • a beginning that will not take
  • family trouble
  • smothering
  • barrenness

In the rune poems

Beorc byþ bleda leas, bereþ efne swa ðeah tanas butan tudder, biþ on telgum wlitig, heah on helme hrysted fægere, geloden leafum, lyfte getenge.

The birch is without fruit, yet even so it bears shoots without seed; it is beautiful in its branches, high in its crown, fairly adorned, laden with leaves, pressing close to the sky.

Old English Rune Poem · Beorc
Bjarkan er laufgrønstr líma; Loki bar flærða tíma.

The birch is the greenest-leaved of branches; Loki brought the luck of deceit.

Norwegian Rune Poem · Bjarkan
Bjarkan er laufgat lim ok lítit tré ok ungsamligr viðr.

The birch is a leafy branch, a little tree, and a young, fresh shrub.

Icelandic Rune Poem · Bjarkan

Across the scripts

ᛒ

Berkano

Elder Futhark

Reconstructed as *berkanan. Eighteenth rune, second in Týr's ætt.

ᛒ

Bjarkan

Younger Futhark

Shape and name carried over. In the reduced row this one letter covers b and p, since Perthro was dropped.

ᛒ

Beorc

Anglo-Saxon Futhorc

Old English beorc gives modern English birch. Its stanza is the longest of the three by a wide margin and the only one that dwells on the paradox in the tree.

The shape

A vertical stave with two triangles stacked against it on the same side, both closed. It maps cleanly onto Latin B, which puts it alongside Fehu, Ansuz and Raidho in the group of runes that support a Latin or North Italic origin for the script.

The two closed shapes have been read as breasts, and modern practice leans on that heavily for the rune's fertility associations. It is a reading with no support in any source, and the fertility sense arrives perfectly well from the tree without it.

The tree

Betula, the birch, and the reconstruction berkanan is secure: Old English beorc, Old Norse bjǫrk, German Birke, modern English birch, and cognates well outside Germanic including Sanskrit bhūrja.

The birch is a pioneer species, and that is the fact the rune runs on. It is the first tree to colonise cleared, burned or abandoned ground: it tolerates poor soil, grows fast, seeds prolifically, and is short-lived by forest standards. Where a fire or a felling has stripped a hillside, birch is what comes back first, and it prepares the ground for the slower, longer-lived trees that eventually replace it.

In northern Europe it is also the tree of the far north, growing where almost nothing else will. Birch bark is waterproof and was used for containers, for roofing, and, in the Novgorod finds, as a writing surface.

Shoots without seed

The Old English stanza is unusually long, four lines against the usual three, and the whole of it turns on one paradox.

The birch is bleda leas, without fruit. And yet it bears tanas butan tudder, shoots without seed. Then the stanza spends its remaining lines on how beautiful it is: fine in its branches, high in its crown, adorned, laden with leaves, pressing close to the sky.

What the poem is describing, in its own terms, is growth that does not come from the expected mechanism. Birch produces catkins rather than obvious fruit, and it also regenerates readily from the base and from suckers, so a felled birch comes back without anything having been planted.

As an image for a rune, that is precise and worth keeping. Berkano is not the harvest, which is Jera and requires the whole cycle. It is growth that starts anyway, from nothing visible, before conditions justify it.

Loki in the Norwegian stanza

The Norwegian poem pairs the birch with a line about Loki bringing the luck of deceit, which appears to have nothing to do with it.

That is normal for the Norwegian poem, whose second lines are frequently unrelated proverbs or mnemonic fillers chosen for alliteration and rhyme rather than sense. Bjarkan and bar alliterate; líma and tíma rhyme. The construction is doing metrical work.

Attempts to read a deep connection between birch and Loki are reaching. The Icelandic stanza, which has no such constraint, simply gives three descriptions of a small young tree and leaves it there.

In inscriptions

As the letter b it appears throughout the corpus in ordinary vocabulary and names.

There is no attested use of Berkano as a birth-charm or fertility-charm in the Elder Futhark record. The Sigrdrífumál does contain an instruction about bjargrúnar, helping-runes or birth-runes, to be carved on the palm to aid a woman in labour, and modern practice often connects that to this rune on the basis of the sound. The Old Norse bjarg- element means help or deliverance, not birch, so the connection is a homophone rather than an etymology. The text is also thirteenth-century Icelandic literature about a legendary past.

In reading, upright

Berkano is beginnings, and specifically small ones.

In a spread it marks something starting: a project in its first weeks, a relationship at the point where it might become something, a recovery beginning after illness or collapse. Literal birth and pregnancy are the most direct reading and are often correct when the question is on that subject.

The pioneer quality is what distinguishes it from the other growth runes. Berkano does not wait for good conditions. It reads as growth taking hold on ground that has been cleared, burned or wrecked, which makes it one of the more encouraging runes to find after a difficult stretch. It is the first thing back.

It is also, by the same token, modest. Birch is short-lived and it is not the tree that ends up standing there. Berkano rarely means the final outcome. It means something has started and it is viable, which after Hagalaz or Naudhiz is usually the more useful information.

In reading, reversed

Berkano reverses.

Inverted it is growth that will not take. A false start, a project that begins and does not root, a recovery that stalls. In questions about pregnancy and family it can be difficult, and is worth handling carefully rather than pronounced on.

The other reversed reading is smothering. Nurture that has become control, care that prevents growth rather than supporting it, a person kept small by being looked after. The birch's virtue is that it takes hold on its own; reversed Berkano often marks a situation where something is being cultivated so hard it cannot establish.

Modern esoteric layers

The Frigg and Nerthus attributions, the element, and the strong maternal reading all come from the twentieth-century revival, principally Thorsson and Aswynn.

The reading of the rune's shape as breasts, and the associated framing of Berkano as the mother rune or the goddess rune, is entirely modern. The fertility sense is defensible from the tree itself and does not need it.

Birch does have genuine ritual associations in later European folk practice, including in Slavic and Baltic spring customs and in the birch besom. Those are real traditions and they are not evidence about the Elder Futhark, which went out of use centuries before any of them are recorded.

With other runes

Berkano with Jera (ᛃ) is the full growth sequence: something starting, and a cycle that will bring it in.

Berkano with Ingwaz (ᛜ) is the pairing modern practice uses for gestation and for potential that is stored rather than active. Both runes are about something not yet visible.

Berkano with Hagalaz (ᚺ) is damage to something young, and often the sharpest warning in a spread about a new project.

Berkano with Eihwaz (ᛇ) sets the two trees against each other: the fast pioneer and the tree that outlives everything. It usually marks a choice between quick growth and slow permanence.

Berkano with Fehu (ᚠ) shifts to increase in the material sense, herds and holdings growing rather than a person or a project.

Questions to sit with

  • What has started recently that is too small to be worth defending yet?
  • The birch takes ground nothing else will. What are you growing on wrecked ground?
  • Is anything in your care being kept small by how carefully you are keeping it?

Frequently asked questions

The birch tree, from Proto-Germanic *berkanan, which gives Old English beorc and modern English birch. In reading it means growth and beginnings, taking its character from the tree: a pioneer species that colonises cleared, burned or abandoned ground before anything else will.

It is the rune most readers use for literal birth and pregnancy, and the sense follows naturally from the tree. What is modern is the reading of the shape as breasts and the framing of Berkano as the mother rune. The fertility meaning stands on its own without that.

The Old English stanza calls the birch fruitless and then says it bears tanas butan tudder, shoots without seed. Birch produces catkins rather than obvious fruit and regenerates from the base and from suckers, so a felled birch returns without anything being planted. As an image it means growth that starts before conditions justify it.

Growth that will not take: a false start, a project that begins and does not root, a stalled recovery. The other reading is smothering, meaning care that has become control and keeps something from establishing on its own. In questions about pregnancy it should be handled carefully rather than pronounced on.

For metre rather than meaning. The Norwegian poem's second lines are frequently unrelated proverbs chosen for alliteration and rhyme, and here bjarkan alliterates with bar while líma rhymes with tíma. Reading a deep connection between birch and Loki is reaching; the Icelandic stanza, under no such constraint, just describes a small young tree.

No, though the connection is often made. That text describes bjargrúnar, helping-runes carved on the palm to aid a woman in labour. The Old Norse element bjarg- means help or deliverance, not birch, so it is a homophone rather than an etymology. The text is also thirteenth-century Icelandic literature about a legendary past.

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