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Hexagram 30 of 64

The Clinging

離 · Lí

Fire above fire, brightness rising twice. The hexagram is about clarity, consciousness and beauty, and about the dependence that comes with all three.

clarity dependence brilliance attachment
King Wen number
30 of 64
Composition
Fire over Fire
Lines, bottom to top
Solid · broken · solid · solid · broken · solid
Chinese
離 · Lí

The Judgment

It rewards holding to the course, and it gets through. Care of the cow brings good fortune.

The most domestic instruction in the book. Clarity is maintained by tending the docile thing that feeds you, not by admiring the flame.

The Image

Brightness rises twice: Fire. So the great person, by carrying the light forward, illuminates the four quarters.

Light is passed along rather than possessed. What matters is the continuation, not the source.

What it means

Li doubled is the hexagram of light, and the character behind it carries two senses at once: to cling, and to separate. Fire clings to what it burns and cannot exist apart from it, and it separates the lit from the unlit.

So the classic's treatment of clarity is unusually sober. Brilliance is not self-sustaining. It attaches to something, and the Judgment's advice is to look after the cow: keep the docile, unglamorous source of your fuel in good condition. The fourth line shows the alternative, in four abrupt verbs. It comes, it flares, it dies, it is discarded.

The best line is the second, yellow light, the colour of the centre and of moderation. Not the brightest possible fire, the balanced one.

Two lines deal with endings. The third has the sun going down and offers a choice between singing over the pot and complaining about age, and the classic assigns misfortune to the complaint. The fifth has floods of tears, open lamentation, and good fortune, because grief with nothing hidden in it is itself a form of seeing clearly.

In a reading

The Clinging as an answer says clarity is available and it is not free-standing. Something has to keep supplying it: a discipline, a relationship, a body, a routine.

Its counsel is to tend that support rather than perform the brilliance. If the matter concerns an ending, the third and fifth lines are the ones to read: meet it openly, and do not let the sense of loss curdle into complaint.

The six lines

Read a line's text only when the cast made it a moving line. They are listed from the top of the figure down, the way the hexagram is drawn.

  1. Nine at the top

    The king uses him on campaign. Best to strike the leaders and spare the followers. No blame.

    Discrimination applied to force. Clarity's final job is knowing exactly who the problem is.

  2. Six in the fifth place

    Tears in floods, sighing and lamenting. Good fortune.

    Grief without pretence, and the verdict is good fortune. Clarity here includes seeing what has been lost.

  3. Nine in the fourth place

    Its coming is abrupt. It flares, dies out, is thrown away.

    Brilliance with nothing under it. Four verbs and it is over.

  4. Nine in the third place

    The light of the setting sun. Either beat the pot and sing, or lament growing old. Misfortune.

    The end of a phase, and two ways to meet it. The classic marks misfortune for the lamenting.

  5. Six in the second place

    Yellow light. Supreme good fortune.

    Yellow is the colour of the centre. Balanced, moderate brilliance, and the best line in the hexagram.

  6. Nine at the beginning

    Footprints crossing each other. Take it seriously and there is no blame.

    The start of the day, tracks going in every direction. Attention is what sorts them.

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